Music hasn't played a big role in the speculative fiction classics. Writers thinking years into the future seem to have trouble imagining future musical styles. Just about every other aspect of society is taken on: marriage, technology, totalitarianism, transportation, clothing and technology...but not music.
I remember reading Vonnegut's short story Harrison Bergeron and his description of music playing and Bergeron dancing on stage. The nature of the music, however, isn't described. There is merely a mention of "grabbing the baton."
Pondering this subject, there is one obvious reason I can think of for this. Music, of all societal aspects, is the most ethereal. The feeling of society is reflected in it. Speculative fiction doesn't typically grapple with prognostications of how human sensibilities will evolve and reflect themselves through music.
On this note, I admittedly copped out when I described the music of my Darwin's Orphans protagonists as punk-hip-hop fusion. I guess since the book is set only a couple of decades into the future, I expected more of the musical mashups we hear today to continue. This may not be the case...and I consider this speculation to be one of the least imaginative in the book.
How does one effectively project where music might lead? To reflect on it, I popped the iPod earbuds in and called up some tunes. Going back a few decades, I selected Someone Saved My Life Tonight by Elton John. It was a meaningful selection for context. I remember the kid down the street getting Captain Fantastic and the Brown Dirt Cowboy on vinyl and cranking it up on his mom's console hi-fi stereo. This was 1975 and listening to it again reminded me of the big collars on shirts, a confusing social feeling after Nixon's demise and the local teacher's strike.
But what about the music itself? Big piano sound and the drum arrangement contributing to a heavy dramatic build. Hmm, could I have realistically forecasted the likes of Nirvana or Kid Rock back then? And are these styles really all that different? A tough subject for speculation.
I guess it's just as well that speculative fiction writers leave music alone. Thankfully, it defies the imagination. It is pure. I am thankful.
Monday, January 21, 2008
Musical speculation
Posted by Mark Salow at 8:07 AM
Labels: darwin's orphans, Harrison Bergeron, Kurt Vonnegut, Music, speculative fiction
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